Beauty contest winner Patricia Knight's one bid for screen stardom was Columbia's Shockproof. Knight plays Jenny Wright, a convicted murderess paroled in the care of probation officer Griff Marat (Cornel Wilde). What begins as an aloof professional relationship eventually blossoms into romance. The fly in the ointment is shady Harry Wesson (John Baragrey), the gambler who inveigled Jenny into committing murder. The girl is torn between creature comforts offered her by Wesson and the promise of a clean life offered by Griff. This early Douglas Sirk effort contains a smattering of the stylistic touches which distinguished his later work.The screenplay was written by famed director Samuel Fuller, known for his gritty realism and hard-boiled style.　　~ Hal Erickson, All Movie Guide

On a rainy night in 1928 in a Pennsylvania factory town called Iverstown, Martha Ivers (Janis Wilson), thirteen years old, is trying to escape from the guardianship of her wealthy, domineering aunt. Her friend, the street-smart, poor Sam Masterson (Darryl Hickman), comes for her through her bedroom window, but Martha's aunt catches them. While Sam slips out unnoticed, Martha hits Mrs. Ivers on the head, causing her to fall down the long staircase and die. Though Sam saw nothing, the event was witnessed by Walter O'Neil (Mickey Kuhn), the son of Martha's tutor (Roman Bohnen), known as Mr. O'Neil. Martha lies about the incident to Mr. O'Neil, and Walter supports her.[5]　　Mr. O'Neil suspects what happened but presents Martha's version of events to the police, that an intruder is responsible; he makes use of his knowledge by having her marry his son. When the police identify a former employee of the aunt as the murderer, the two O'Neils and Martha help convict him; he is punished by hanging.[5]　　Eighteen years later, the older O'Neil has died. Walter (now played by Kirk Douglas) is the district attorney, while Martha (Barbara Stanwyck) has used her inheritance from her aunt to build a large business empire. Their marriage is one-sided; he loves her, but she does not love him.　　Sam (Van Heflin), now a drifter and gambler, stops in the small town by chance to have his car repaired after an accident. While waiting for repairs, at his old home, now a boarding house, he meets Antonia Toni Marachek (Lizabeth Scott), who has just been released from jail. She is later picked up for violating her probation by not returning to her hometown. Sam goes to see Walter, to see if he can use his influence to get her released.　　Walter is convinced Sam has returned with blackmail in mind, giving Walter a motive to run Sam out of town. When Martha reacts with joy to the news of Sam's return, Walter's jealousy provides an additional motive. Walter forces Toni to set Sam up. Sam is beaten and driven out of town, but he is too tough to be intimidated. When all else fails, Walter makes a half-hearted attempt to kill Sam himself, but is easily disarmed. Martha then inadvertently blurts out the couple's fears of blackmail, which prove to be groundless Sam says he did not witness the death. Martha breaks down and laments that he left without her all those years ago, taking with him her only chance for love and freedom.　　Sam is torn between his old love and his new. Although he eventually forgives Toni for betraying him, he and Martha spend an idyllic day together, rekindling his feelings for her.　　Walter arranges to meet Sam to finally settle matters. Before Sam arrives, Walter gets drunk and Martha finds out about the meeting. When Walter falls down the stairs and is knocked unconscious, Martha urges Sam to kill him. Sam instead brings Walter around. Martha pulls out a gun and threatens to shoot Sam in self defense as an intruder. However, Sam gambles that Walter will not back up her story; he turns his back on her and leaves.　　Walter embraces and kisses his wife; then he points the gun at her midriff. Oddly relieved, she puts her hand over his hand on the trigger and presses. As she is dying, she defiantly states her name is not Martha Ivers, but Martha Smith. Outside, Sam hears the shot. He runs back toward the mansion, but sees Walter, holding Martha's body, shoot himself. Sam and Toni drive away together.

约翰·霍迪亚克饰演的移民局探员到哈瓦那追查一个帮人偷渡的高智商犯罪集团，不料遇上难民身份并极力想偷渡到美国的海蒂·拉玛，被她的原力所打动，无法自拔立马沦陷。如此，案子也不侦破了，放着移民局官员的待遇、养老金等不顾，还想辞职不干，打算跟海蒂·拉玛就这么呆在风光旖旎的哈瓦那了却余生，期望无限美好却给犯罪集团头目打乱，因为头目也深深地迷恋上海蒂·拉玛，孽缘般三角恋就此展开。导演约瑟夫·刘易斯绝对尽心尽力地拍完此片，快到片尾的那段一镜到底的航拍可见他的用心良苦！而全片大堆哈瓦那的实景拍摄，在老旧的黑白镜头下，依然唯美且真实。（甜蜜字幕组）

巴特（鲁斯·谭柏林 Russ Tamblyn 饰）从小就对枪支十分着迷，十四岁时，因为企图盗窃枪支，巴特站在的被告人的席位之后，虽然姐姐露比（Anabel Shaw 饰）想尽了一切办法试图唤起陪审团的怜悯，但巴特还是被送入了少年教养院。　　一晃眼多年过去，巴特（约翰·道尔 John Dall 饰）由一名孱弱的少年成长为了身强体壮的男子汉，唯一没有改变的，就是他对于枪械的热爱和痴迷。一次偶然中，巴特结识了马戏团的劳莉（佩吉·卡敏斯 Peggy Cummins 饰），一见钟情的两人很快打得火热，却因此遭到了马戏团主的厌恶和驱逐。就这样，巴特和劳莉离开了马戏团，化身为冷酷无情的雌雄大盗，踏上了一条烧杀抢掠的不归路。

千早瑠依（古川慎 配音）和千原狮音（山本和臣 配音）是一对好朋友，两人常常结伴去搭讪女孩，因为他们英俊的外貌，搭讪行动大概率会以成功收场，这令两个男孩感到非常的骄傲。一天，狮音和往常一样，在海滩上释放他的费洛蒙，哪知道一个神秘的女人一直在暗处偷偷的盯着他。　　神秘女人给狮音下了药，令狮音成为了女孩子。狮音绝望的得知，他必须吸收男子的精华，才能够重新恢复男儿身，可如果恢复男儿身的他损失了一定数量的精华后，他将再度变回女孩。很快，瑠依就知道了狮音的秘密，哪知道，这个离谱的男人竟然对变成了女儿身的好友垂涎欲滴。

U.S. Treasury Department agents go after a ring of counterfeiters.

马如龙是个对艺术电影非常痴迷的导演，尤其是音乐电影，他的最大梦想就是拍一部音乐文艺片，而且是以自己的爱情故事为原型，虽然他所签约的电影公司答应给他拍片的机会，但却遭到了徐导演的阻挠，但马如龙一如既往的投入到创作ccc。马如龙在考察拍摄场地时被酒吧歌手雨人认了出来，雨人很喜欢马如龙的歌曲，原来马如龙过去也是一个成名的歌手，雨人很喜欢唱马如龙的成名歌曲《一场说走就走的旅行》还拉着马如龙去地下通道唱这首歌，但雨人的目的却是借着马如龙的名气为自己泡妞，马如龙很是失望的走了，雨人却借机认识了林娜。

Diplomat is blackmailed for crimes committed while he had amnesia.

Howard Tyler (Frank Lovejoy) is a family man, living in California, who can't seem to get by financially. He meets up with a small-time, but charismatic, hood Jerry Slocum (Lloyd Bridges). Soon, Slocum convinces Tyler to participate in gas station robberies to get by. Later, they kidnap a wealthy man in hopes of getting a huge ransom. Things go wrong when the man is murdered by Slocum then thrown in a lake. Tyler reaches his limit emotionally, and he begins drinking heavily. He meets a lonely woman and confesses the crime while drunk. The woman flees and goes to the police.　　When the two kidnappers are arrested, a local journalist (Richard Carlson) writes a series of hate-filled articles about the two prisoners which eventually lead to a brutal lynching.　　The despair of the lower middle-class A family man ashamed of being unemployed allows himself to be convinced by a gangster to take part in a kidnapping. The police arrests them both and the anger of the small town’s population is unforgiving. THE SOUND OF FURY is a dark crime movie that builds up to an apocalyptic storm, but never loses sight of social realities, thus telling a lot about the daily despair of the working-class. A masterpiece, it was Cy Endfield’s last film before he felt compelled to move to Britain.

A man (Young) comes round after a car accident, and realises that a perfect crime is now possible any movie with this scene can't fail. From this halfway point, the anxious mood of this rare noir thriller thickens fast. Jane Greer and Susan Hayward in turn tempt Young (a spineless louse) from his rich wife (Johnson). We know he's wretched, but is he guilty of murder

阿礼是香港的一个广告设计师，一天，他驱车外出办事，不料中途抛了锚。一名被追赶的劫匪突然钻进他的车里，慌乱中把抢来的装有珍贵项链的皮包丢在车内，而把阿礼的皮包拿走了。由于去失了设计图纸，阿礼被老板解雇。那条珍贵的项链是用恐龙骨制成的，香港富商傅格林本打算将这一稀世传家宝捐献给国家，不料却遭到抢劫。为此，他请来了私家侦探追查项链下落。与此同时，香港黑社会头子也启用了惯偷杜财，令其将项链找回来。丢了饭碗的阿礼四处寻职不成，欲一死了之，谁知自杀未成却结识了从深圳来港考察的女建筑师阿圆，不知不觉中，二人已互有情意。阿礼将项链送给了阿圆，并随阿圆一起来到深圳。私人侦探易公升和杜财也相继赶来，二人由尔虞我诈转而联合起来偷取项链。项链上精美的图腾古刻使阿圆和阿礼受到了启发，他们共同设计出一个古代与现代相结合的度假村，受到了领导的重视。傅格林应宏图建筑公司的邀请也来到了深圳，在公司的展览大厅内，意外地发现了失窃的项链。当阿圆准备将其送还失主时，项链却不翼而飞。杜财窃得了项链正在暗自得意，却发现自己早已被警察牢牢盯住，成了网中之鱼，他自知难逃，悄悄地将项链放到了阿圆婶婶的身上。这条价值连城的项链终于回到了傅格林的手中。

莱昂纳（芭芭拉·斯坦威克 Barbara Stanwyck 饰）是衔着金汤匙出生的富家千金，因为她的神经非常的脆弱纤细，导致她只能整日卧病在床，和外界唯一的联系就是一台电话。这一天，莱昂纳的丈夫亨利（伯特·兰卡斯特 Burt Lancaster 饰）迟迟没有到家，于是莱昂纳想要打个电话到亨利的办公室里找他。哪知道电话串了线，莱昂纳听到电话那头的两个陌生男人正在谋划如何杀害一个无辜的女人。　　又惊又怕的莱昂纳决定拯救这个女人的性命，于是她拿起了自己唯一的武器——电话。然而，当莱昂纳打电话将自己的所见所闻告诉警察时，却并没有人愿意相信她。更糟的是，两名凶手似乎也知道了莱昂纳的存在。